Mim: Alejandro Bonnet

Since I finished the mime education 1996 in Stockholm I’ve been able to work in a variety of productions: dance and theatre, children and adult theatre, performance and entertaining…even motion capture technique: every new job have been “filtered” through mime. But from the beginning of my professional life I’ve been interested in learning how to teach, to get a better perspective of the technique and the art form.

In 2010 I finally got the opportunity to start working as assistant to Stanislaw Brosowski – professor in Mime acting and the creator of the education in Stockholm – and later on a bigger part of the education. Currently I am the teacher in mime acting for the 17th class since the education began in Stockholm, my seventh.

Class description: 

The class is going to focus on the ground to the Swedish mime education –which develops from Polish mime – how we create and enhance the emotional necessity behind the movement. From our mime perspective, there is always a correlation between the outer choreography – the expression and quality my body use to move – and the inner choreography – the line of impulses that give necessity to move; my thoughts, emotions and thrust/urge. 

I samarbete med Mimplattformen.

Om Mimplattformen:

Mimplattformen är en samlande plats för kunskapande kring mimbaserad scenkonst. Utöver daglig träning arbetar mimplattformen både praktisk och teoretisk för att utveckla och berika kunskapen kontinuerligt under året.

För mer info, gå in på vår hemsida mimplattformen.com